An Incredible touch to Persian Antiquity! One of the great wonders of the ancient world.It was conceived by Darius the Great who (520 BC) inherited the responsibility for ruling the world's first known empire founded by his predecessor, Cyrus the Great.
On top of the rocky mountain of Rahmat in the plain of Marvdasht, the ruins of Takht-e-Jamshid palace are pre-eminent. Construction of these palaces started at the time of Darius I (521 BC) and was not completed in less than a period of 150 years. Takht-e-Jamshid is registered as a World Heritage Site by UNESCO.
Persepolis is the Greek name (from perses polis for 'Persian City') for the ancient city of Parsa, located seventy miles northeast of Shiraz in present-day Iran. The name Parsa meant 'City of The Persians' and construction began at the site in 518 BCE under the rule of King Darius the Great (who reigned 522-486 BCE). Darius made Parsa the new capital of the Persian Empire, instead of Pasargadae, the old capital and burial place of King Cyrus the Great. Because of its remote location in the mountains, however, travel to Parsa was almost impossible during the rainy season of the Persian winter when paths turned to mud and so the city was used mainly in the spring and summer warmer seasons. Administration of the Achaemenian Empire was overseen from Susa, from Babylon or from Ecbatana during the cold seasons and it was most likely for this reason that the Greeks never knew of Parsa until it was sacked and looted by Alexander the Great in 330 BCE (the historian Plutarch claiming that Alexander carried away the treasures of Parsa on the backs of 20,000 mules and 5,000 camels).
Though building began under Darius, the glory of Parsa which Alexander found when he invaded was due mainly to the latter works of Xerxes I and Artaxerxes III, both of whose names have been found (besides that of Darius) inscribed on tablets, over doorways and in hallways throughout the ruins of the city.
The great city of Persepolis was built in terraces up from the river Pulwar to rise on a larger terrace of over 125,000 square feet, partly cut out of the Mountain Kuh-e Rahmet ("the Mountain of Mercy"). To create the level terrace, large depressions were filled with soil and heavy rocks which were then fastened together with metal clips; upon this ground the first palace at Persepolis slowly grew. Around 515 BCE, construction of a broad stairway was begun up to the palace doors. This grand, dual entrance to the palace, known as the Persepolitan stairway, was a masterpiece of symmetry on the western side of the building and the steps were so wide that Persian royalty and those of noble birth could ascend or descend the stairs by horseback, thereby not having to touch the ground with their feet. The top of the stairways led to a small yard in the north-eastern side of the terrace, opposite the Gate of all Nations.
The great palace built by Xerxes I consisted of a grand hall that was eighty-two feet in length, with four large columns, the entrance on the Western Wall. Here the nations which were subject to the Empire gave their tribute to the king. There were two doors, one to the south which opened to the Apadana yard and the other opening onto a winding road to the east. Pivoting devices found on the inner corners of all the doors indicate that they were two-leafed doors, probably made of wood and covered with sheets of ornate metal. Off the Apadana yard, near the Gates of all Nations, was Darius’ great Apadana Hall, where he would receive dignitaries and guests which, by all accounts, was a place of stunning beauty (thirteen of the pillars of the Hall still stand today and remain very impressive).
Limestone was the main building material used in Persepolis. After natural rock had been leveled and the depressions filled in, tunnels for sewage were dug underground through the rock. A large elevated cistern was carved at the eastern foot of the mountain to catch rain water for drinking and bathing.
The terraced plan of the site around the palace walls enabled the Persians to easily defend any section of the front. The ancient historian Diodorus Siculus recorded that Persepolis had three walls with ramparts, all with fortified towers, always manned. The first wall was over seven feet tall, the second, fourteen feet, and the third wall, surrounding all four sides, was thirty feet high. With such fortifications opposing him it is an impressive feat that Alexander the Great managed to overthrow such a city; but overthrow it he did. Diodorus provides the story of the destruction of Persepolis:
“Alexander held games in honor of his victories. He performed costly sacrifices to the gods and entertained his friends bountifully. While they were feasting and the drinking was far advanced, as they began to be drunken, a madness took possession of the minds of the intoxicated guests. At this point one of the women present, Thais by name and Athenian by origin, said that for Alexander it would be the finest of all his feats in Asia if he joined them in a triumphal procession, set fire to the palaces, and permitted women's hands in a minute to extinguish the famed accomplishments of the Persians. This was said to men who were still young and giddy with wine, and so, as would be expected, someone shouted out to form up and to light torches, and urged all to take vengeance for the destruction of the Greek temples [burned by the Persians when they invaded Athens in 480 BCE]. Others took up the cry and said that this was a deed worthy of Alexander alone.
When the king had caught fire at their words, all leaped up from their couches and passed the word along to form a victory procession in honor of the god Dionysus. Promptly many torches were gathered. Female musicians were present at the banquet, so the king led them all out to the sound of voices and flutes and pipes, Thais the courtesan leading the whole performance. She was the first, after the king, to hurl her blazing torch into the palace. As the others all did the same, immediately the entire palace area was consumed, so great was the conflagration. It was most remarkable that the impious act of Xerxes, king of the Persians, against the acropolis at Athens should have been repaid in kind after many years by one woman, a citizen of the land which had suffered it, and in sport.”
The fire, which consumed Persepolis so completely that only the columns, stairways and doorways remained of the great palace, also destroyed the great religious works of the Persians written on “prepared cow-skins in gold ink” as well as their works of art. The palace of Xerxes, who had planned and executed the invasion of Greece in 480, received especially brutal treatment in the destruction of the complex. The city lay crushed under the weight of its own ruin (although, for a time, nominally still the capital of the now-defeated Empire) and was lost to time. It became known to residents of the area only as 'the place of the forty columns’ (for the still-remaining columns standing among the wreckage) until, in 1618 CE, the site was identified as Persepolis. In 1931 excavations were begun which revealed the glory which had once been Persepolis.
The site is marked by a large terrace with its east side abutting the Kooh-e Raḥmat (“Mount of Mercy”). The other three sides are formed by a retaining wall, varying in height with the slope of the ground from 13 to 41 feet (4 to 12 metres); on the west side a magnificent double stair in two flights of 111 short stone steps leads to the top. On the terrace are the ruins of a number of colossal buildings, all constructed of a dark gray stone (often polished to a marble-like surface) from the adjacent mountain. The stone was cut with the utmost precision into blocks of great size, which were laid without mortar; many of them are still in place. Especially striking are the huge columns, 13 of which still stand in the audience hall of Darius I (the Great; reigned 522–486 bce), known as the apadana, the name given to a similar hall built by Darius at Susa. There are two more columns still standing in the entrance hall of the Gate of Xerxes, and a third has been assembled there from its broken pieces.
In 1933 two sets of gold and silver plates recording in the three forms of cuneiform (Ancient Persian, Elamite, and Babylonian) the boundaries of the Persian empire were discovered in the foundations of Darius’s hall of audience. A number of inscriptions, cut in stone, of Darius I, Xerxes I, and Artaxerxes III indicate to which monarch the various buildings were attributed. The oldest of these on the south retaining wall gives Darius’s famous prayer for his people: “God protect this country from foe, famine, and falsehood.” There are numerous reliefs of Persian, Median, and Elamite officials, and 23 scenes separated by cypress trees depict representatives from the remote parts of the empire who, led by a Persian or a Mede, made appropriate offerings to the king at the national festival of the vernal equinox.
Behind Persepolis are three sepulchres hewn out of the mountainside; the facades, one of which is incomplete, are richly ornamented with reliefs. About 8 miles (13 km) north by northeast, on the opposite side of the Pulvār River, rises a perpendicular wall of rock in which four similar tombs are cut at a considerable height from the bottom of the valley. This place is called Naqsh-e Rostam ('Picture of Rostam'), from the Sāsānian carvings below the tombs, which were thought to represent the mythical hero Rostam. That the occupants of these seven tombs were Achaemenian kings might be inferred from the sculptures, and one of those at Naqsh-e Rostam is expressly declared in its inscriptions to be the tomb of Darius I, son of Hystaspes, whose grave, according to the Greek historian Ctesias, was in a cliff face that could be reached only by means of an apparatus of ropes. The three other tombs at Naqsh-e Rostam are probably those of Xerxes I, Artaxerxes I, and Darius II (Ochus). The two completed graves behind Persepolis probably belong to Artaxerxes II and Artaxerxes III. The unfinished one might be that of Arses, who reigned at the longest two years, but is more likely that of Darius III, last of the Achaemenian line, who was overthrown by Alexander the Great.
At the foot of Naqsh-e Rostam, situated in the direction of the cliff face, rests a square building known as Kabeh-ye Zardusht (“Kaaba of Zoroaster”). The building, which is roughly 40 feet (12 metres) high and 24 feet (7 metres) square, probably was constructed in the first half of the 6th century bce, although it has numerous inscriptions from later periods. Though the building is of great linguistic interest, its original purpose is not clear. It may have been a tomb for Achaemenian royalty or some sort of altar, perhaps to the goddess Anahiti (Anahita).
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