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Latest News
Harvard Art Museums present exhibition of Norma Jean Calderwood's collection of Islamic Art
CAMBRIDGE, MASS.- The Harvard Art Museums present In Harmony: The Norma Jean Calderwood Collection of ...
London-based Rossi & Rossi to open new art space in Hong Kong
HONG KONG.- Jean Marc Decrop, the noted expert in the contemporary art of China, Asia and Middle East ...
Ayyam Gallery presents a solo exhibition by Palestinian artist Oussama Diab
DUBAI.- From September 17 until October 30, Ayyam Gallery DIFC is presenting a solo exhibition of Palestinian ...
Rutgers University announces publication of "The Fertile Crescent: Gender, Art, and Society"
NEW YORK, NY.- Five years in the making, the highly anticipated 256-page volume The Fertile Crescent: ...
NAM summit an excellent opportunity to introduce Iranian art and handicrafts
The Iranian Handicrafts Union is going to distribute catalogues promoting Persian handicrafts among ...
7/21/2011
Claremont Rug Company Announces a "New" Trend Among Connoisseurs of Art-Level Antique Carpets

Two wall hung antique Caucasian rugs highlight this island home.
OAKLAND, CA.- Jan David Winitz, founder and president of Claremont Rug Company, said today he is increasingly being asked by clients to find 19th century, art-level Oriental rugs to hang on walls along-side paintings. Art level carpets from the “Second Golden Age of Persian Weaving” are increasingly rare, particularly as collectors have begun to realize the artistic merit and the unifying effects that they have on a home environment.

“They are as yet virtually undiscovered as art,” he said.

Winitz regularly places antique rugs in sizes suitable for hanging in prices ranging from $15,000 to $150,000.

Said Winitz, “In 2009, less than 10 percent of the projects we took part in involved rugs for the walls. In 2010 it jumped to 35 percent. In 2011 to date, 60 percent of our projects have included hanging rugs as art on the walls, as well as draping them over furniture and displaying them on tables under glass.

“Some clients are even taking down paintings and replacing them with rugs,” said Winitz, who created Claremont Rug Company in 1980. “One mentioned the ‘staying power’ of great rugs and another pointed out that the graphic, elemental nature of antique tribal rugs, especially collector-level Caucasians, is even more at home in modern environments than contemporary art.”

With an inventory of more than 4000 19th century antique Oriental rugs, Claremont stands alone among galleries because of the depth and breadth of its collection as well as the provenance of the carpets. Claremont, which acquires the vast majority of its rugs from private collections, maintains a global staff of full-time buyers who seek out entire collections and rarely found pieces.

“While values of collectible antique Oriental rugs have increased for decades,” Winitz said, “it has only been in the last year or so that aficionados have collectively come to realize that, when displayed as art, these pieces bring an incomparable level of balance and harmony to their homes.

“Combined with the another trend, the increased creation of substantial family rug collections, art lovers are attracted by the inviting value that truly great rugs present relative to other forms of art and the paucity of carpets of museum-level still available,” he said.

At the same time, the MEI Moses Index, which tracks investment returns in art, has recently reported that results of auction sales for post war and contemporary Western art “were substantially below average historical returns…”

Winitz said, “This analytic look demonstrates the unstable nature of the vast majority of contemporary art. Our clients continue to be rewarded by being able to acquire rare, one-in-the-world art pieces and having the reassurance that their investments have the security of ‘precious tangible assets’ whose values have stood the tests of time and market fluctuations.”

In the past decade, Claremont has emerged as the preeminent acquirer of major private collections, many of which have been held in families for three to five generations. “We have the privilege to review and to acquire rugs from numerous families who seek us out because they want to ensure that their collections will be passed on to individuals who will appreciate and respect them,” said Winitz.

From conversations with clients and from the inquiries to his Gallery, Winitz said he has seen a rapidly growing recognition among collectors of the emotional impact and unifying atmosphere that great rugs added to their residences. “The combination of awe-inspiring artistry, compatibility with contemporary decors and the impossibility of recreating these pieces have created a powerful attraction,” he said.

Winitz also reported that he is on pace to complete 70 whole home projects in 2011, up from eight in 2008. At Claremont, a “whole home project” involves 15 to as many as 70 antique rugs.

“Our clients with modern decors find that antique art rugs hung on the wall can create or enhance the ambiance of a room” he said.

The author of The Guide to Purchasing an Oriental Rug, Winitz also said that interest in collecting and decorating with antique rugs comes from a broad spectrum of clients. “Recently, as I pointed out in an interview in ArtNewsMonitor, 19th Century rugs…have become increasingly popular, especially among groups such as finance professionals and Silicon Valley entrepreneurs.”


More information : Artdaily
Other news :
8/14/2012
Two earthquakes in Iran kill more than 300 and injure 5,000
Overcrowded hospitals in northwest Iran struggled to cope with thousands of earthquake victims on Sunday as rescuers raced to reach remote villages after two powerful quakes killed nearly 300 people.
8/13/2012
Iranian wrestlers win 2 bronze medals
Iranian wrestlers Ehsan Naser Lashgari and Komeil Qasemi have won bronze medals at the London 2012 Olympic Games.
8/6/2012
Iran to exhibit works by Gunther Uecker
Iran is planning to exhibit works by modern German sculptor and installation artist Gunther Uecker at the Tehran Museum of Contemporary Arts. The event will be held from September 16 to November 1, 2012 ...
8/4/2012
"When Artists Attack the King: Honoré Daumier and La Caricature, 1830-1835" opens at Cantor Arts Center
STANFORD, CA.- Long before iranian cartoonist Mahmoud Shokraiyeh was sentenced to 25 lashings for drawing a parliament member in a soccer jersey, 19th-century caricaturist Honoré Daumier and his colleagues ...
8/1/2012
Farhadi’s film takes N America by storm
Iranian director Asghar Farhadi’s Oscar-winning film A Separation has taken the North America’s movie theaters by storm as the second top-grossing foreign-language film in 2012.
7/30/2012
London to exhibit installation by Iran’s Shirin Sabahi
The Saatchi Gallery is slated to display an installation work created by the Iranian artist Shirin Sabahi in the British capital of London. The event is part of the 2011 Contemporary Art Prize (CAP) ...
7/24/2012
US, Iranian team excavate Siraf
A team of American and Iranian archaeologists has launched underwater excavations at the historical port of Siraf in the Persian Gulf.
7/22/2012
Mutatis Mutandis: Group show curated by Cathrine David opens at Vienna's Secession
VIENNA.- Mutatis Mutandis brings together a number of works that explore the complexity of contemporary events, materiality, history, and memories, and propose possible re-presentations. Discontinuous ...
7/7/2012
The 2nd Tehran Annual Digital Art Exhibition [TADAEX] was opened on Friday, July 6th.
The first day of The 2nd Tehran Annual Digital Art Exhibition [TADAEX] was opened among the unexpected attendance of the audience.
7/2/2012
UNESCO registers Isfahan Friday Mosque
Isfahan’s Friday Mosque has been inscribed on UNESCO’s World Heritage List, making it the 14th Iranian site registered on the roll. The independent, 21-member World Heritage Committee announced the ...

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